Streaming The Muppet Christmas Carol – Kermit’s 50th Anniversary Edition Online

February 25th, 2010 by rey6441669
Streaming The Muppet Christmas Carol - Kermit's 50th Anniversary Edition Online. Streaming The Muppet Christmas Carol – Kermit’s 50th Anniversary Edition Online.

Movie Title: The Muppet Christmas Carol – Kermit’s 50th Anniversary Edition
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The Muppet Christmas Carol – Kermit’s 50th Anniversary Edition is available for streaming or downloading.

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The five PLUS stars are for the MOVIE, not necessarily this 2005 DVD release . . . . (Now that I have seen the modern DVD, I give it 3 1/2 or 4 stars. Contemplate explanation below.)

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In Oct. 2002, Disney Home Video released its first DVD formatted THE MUPPET CHRISTMAS CAROL. The response was both pro and con. The response that was negative dealt with two considerable issues:

(1) That the 2002 DVD was pan-and-scan (AKA “corpulent camouflage” or “1.33:1″) instead of widescreen, and, in fact, unlike many DVDs, did not even offer the viewer a choice between pan-and-scan and widescreen. For fans of the movie who take widescreen, this was a colossal disappointment!

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(2) That the 2002 DVD for Area 2 and perhaps other regions also removed the “When Savor Is Gone” song. Disney has not, to my knowledge, offered an explanation for the removal. I would guess that it was because the song is “dismal” and someone at Disney probably decided that such a “dim” song did not belong on a DVD intended for children.

Thus, that 2002 DVD had TWO strikes against it as far as MUPPET CHRISTMAS CAROL purists were concerned. At the Amazon position for that earlier DVD, you can derive more than 130 reviews, many of which train PROFOUND disappointment about the lack of widescreen and the missing song. (Note: Amazon has accountably merged those 2002 reviews with the 2005 reviews. Impartial got toward the ruin of the list to contemplate the older reviews.)

Fast forward to 2005, unprejudiced a couple of months ago. Disney announced a recent release of this film–The Muppet Christmas Carol – Kermit’s 50th Anniversary Edition. Enthusiastic fans immediately assumed that this would be the long-awaited anamorphic widescreen version. However, various statements and press releases listed the movie as 1.33:1 or, in other words, pan-and-scan. When this was discovered, the fans HOWLED at what seemed like a betrayal and an absence of common-sense by the people at Disney. THEN, within a few days of the official announcement, Disney “back-peddled” and issued a unusual announcement that the first one was in error and that the 50th Anniversary version would be in BOTH pan-and-scan and widescreen. The ***SIGH*** of relief was like a wind that rushed across the globe!

But now comes the TRICKY Piece that tries to acknowledge your specific ask. Some fans who have contacts within the industry or have means of mining the Internet, discovered that the Remark of the pan-and-scan and the widescreen versions that would be on the same disc would be different in that one would have the afore mentioned song and one would not. As mentioned HERE in these reviews for this fresh release, apparently the version to own the song is the pan-and-scan version–which, if it’s true–is a totally incomprehensible creative decision. (Why would the the version that was Good to the widescreen format be missing the song, thereby compromising that version? )

Right now, as a GIANT FAN of MUPPET CHRISTMAS CAROL, who has longed for a widescreen DVD since the advent of DVD, I am hoping that there has been some miscommunication going on (for example, sight above at the official aspect ratio listed in the Product Details. On today’s date of Oct. 13, 2005, it’s listed as 1.33:1, so the facts about this release seem to be unfortunately garbled!)

Incidentally, there exists a WIDESCREEN (though obviously not anamorphic) Laserdisc version of the film that INCLUDES the song “When Adore Is Gone.” I know because I fill it . . . and it is among my most precious possessions!!

All we can do is wait until November 29 to glean out what this fresh release will truly occupy. I personally hope there will be an anamorphic widescreen version that also includes “When Appreciate Is Gone.”

ADDENDUM: Well, yesterday was November 29, 2005, and I picked up this DVD. There’s generous news, dreadful news, and some noble honorable news. The anamorphic widescreen image far exceeds any previous video or DVD version. However, the rumours are Suitable that the widescreen does NOT include the incredible song “When Savor Is Gone,” and that the fullscreen version DOES include it as “Extended with Deleted Scene.” However, for the diehard, there is this awkward-but-workable compensation: The two versions are on the same side of the DVD, thus when the widescreen version comes to the point when the song should be sung, you can expend your remote to go utilize to the menu, wait on fullscreen, go to chapter 5, listen to the song, and then go assist to widescreen to plan the rest of this exquisite Christmas movie. It is a Huge hurt and an unfathomably abominable decision by the suits at Disney!

Since a complete widescreen version obviously does exist in the Disney archives (the Laserdisc version in the mid 90s was both widescreen AND complete), one can only wonder how and why Disney made this very insensitive and unprofessional decision!

Neverthless, FINALLY having MUPPET CHRISTMAS CAROL in anamorphic widescreen is definitely a plus. Being able to peer all the Muppet antics certain to the sides of the conceal is a pure joy, and not being forced to examine tastelessly SQUISHED images is a immense relief! Also, this disk is the best resolution (though not perfect) that has ever been available in any home media format, and the Dolby Digital sound is quite acceptable.

Since this is likely to be the last DVD version of this movie for quite some time, we should (1) continue to ponder Disney’s callous obliviousness and its positive childish stubbornness to do what’s correct, while (2) counting our blessings that at least we are nonetheless Section contrivance to the ideal MUPPET CHRISTMAS CAROL DVD.

Talk about MIXED emotions! I mediate that one predicament is that nobody at Disney is sure that the film is a correct work of art, instead of “honest a movie stamped out for kids.” I consider nobody there realizes that the film deserves far more respect than the grudging, lackluster, shoddy efforts they have so far foisted on the public. I am very gay to scrutinize the many astute reviewers for this unique edition over and again construct this point exceedingly definite! THE WORST OF IT IS THAT IT DOESN’T Perform ANY SENSE!

BTW, on November 29, 2005, Garan Grey posted a review mentioning several Salubrious points underscoring Disney’s defective decision-making–especially about the lackluster special features, recycled menu manufacture, and so forth, in what is supposed to be a very special “special edtion”! However, this reviewer says: “By the design, it seems that the “widescreen” version is honest matted down from the elephantine 35mm 1.33 frame, so the fullscreen version is not missing any of the narrate.” In point of fact, ALL pan&scan versions that I have seen (INCLUDING the pan&scan on this very disc) SQUISHES the titles, cuts Muppets off the sides of the movie, and even sometimes squishes scenes so the characters discover vast and skinny. Which is WHY I have been waiting for the widescreen for years! In general, I’d say that Garan Grey is definitely unsuitable on this point.

Charles Dickens’ classic narrative “A Christmas Carol” has probably been adapted for stage, veil, and TV more than any other legend in the history of literature. Many have been really enormous — the Mr. Magoo though-provoking version, Patrick Stewart’s one-man stage display, the George C. Scott version, etc. But one of the best is definitely “The Muppet Christmas Carol,” directed with heart and intelligence by Brian Henson. This version is particularly much because it combines two beloved pop-culture icons: Dickens’ myth and the Jim Henson Muppets.

Buy,Download, Or Stream The Muppet Christmas Carol – Kermit’s 50th Anniversary Edition! Click Here

It’s been a long time since I read Dickens’ fresh text, but from what I remember, the MCC is quite faithful to Dickens. Like the other Muppet films, MCC combines human actors with the whimsical Muppet characters (honest in case you don’t know what a Muppet is, it’s a sort of puppet) . The titanic Michael Caine plays Scrooge, and the Muppets play other Dickens characters: Kermit the Frog is Bob Cratchit, Miss Piggy is Mrs. Cratchit, etc.

One clever touch is having Charles Dickens (portrayed by Muppet Gonzo the Spacious) appear as a narrator in the film. Gonzo/Dickens is accompanied by Rizzo the Rat, and the two have some ample amusing banter and slapstick humor. This design nicely complements the main myth without distracting from it. The film is enhanced by some splendid songs; my current is the one sung by the Ghost of Christmas Demonstrate.

Dickens’ new “Carol” is, at its core, a compassionate and life-affirming chronicle, and the Muppet version is just on target in preserving the soul of the narrative. There are some genuinely sweet and exciting touches (such as one Muppets’ gift to Scrooge) that combine well with the trademark Muppet humor. Add to this obedient special effects, fair performances (both human and Muppet), and impressive sets and costumes, and you have a honest classic: a film for every member of the family. In “The Muppet Christmas Carol,” Brian Henson and his Muppets present that, with imagination and skill, fresh life can be breathed into a well-liked old-fashioned memoir.
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Gankutsuou: Count of Monte Cristo – The Complete Series Streaming

February 24th, 2010 by rey6441669
Gankutsuou: Count of Monte Cristo - The Complete Series Streaming. Gankutsuou: Count of Monte Cristo – The Complete Series Streaming.

Movie Title: Gankutsuou: Count of Monte Cristo – The Complete Series
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Gankutsuou: Count of Monte Cristo – The Complete Series is available for streaming or downloading.

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Gankutsuou, my favourite anime series. I enjoyed it enough to read the 1250 page unique it’s based on (The Count of Monte Cristo) after finishing the series, and I’m far from an avid reader. In the slay, not only did Gankutsuou become my favourite anime, it also helped me accept my favourite book.

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I decided to initiate collecting the series after watching it. It wasn’t an easy task to carry out with me living in the UK and Geneon being expressionless in the water, but I’ll achieve you the details and simply say that I’m now the pleased owner of the art box and all 6 volumes of this truly fabulous series.

Plot: 9.7/10

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Not having read the unusual prior to starting this, I had no concept what to query. I knew about obvious vague details, such as a young man becoming fascinated with the Count of Monte Cristo, but that’s all. But, as a result of having no expectations, I was blown away by the memoir of Edmond Dantes; The Count of Monte Cristo.

In a nutshell, Gankutsuou is a fairly simple revenge record that’s executed extremely well: a young man called Edmond Dantes loses his freedom, his care for and almost his life because of the greed, jealousy and pride of three men. Then, after many years, he returns, posing as the Count of Monte Cristo – a rich ‘noble’ who appears out of nowhere and sends shockwaves through Paris with his riches – and puts into action his concept to gather the ultimate revenge on the men who destroyed his life. After spending many years suffering, he doesn’t simply want to destroy them: he wants to ruin them, throwing them in the pits of despair.

In order to add mystery to Edmond’s character, the epic is not told from his perspective (unlike in the book) . Instead, the tale is told from the perspective of Albert, a young friendly and son of Fernand de Morcerf; a general and one of the three Edmond wants revenge against. This brings both dreadful and trustworthy points – the pleasant being the added mystery and a different angle on the epic, the awful being Albert having the IQ of a dog. I wanted to slay him when he failed to work out that it was in fact Edmond pulling the strings slow the dreadful sequence of events unfolding around him for the 10th time.

The setting was quite a shock at first, with the legend taking location in the year 5053, where as the recent takes area during the 1800’s. It was a further surprise to observe the memoir starts during the Rome piece of the unusual, the only dissimilarity being that the writers replaced Rome with a city on the moon. I do kinda wish the tale had been told in the 1800’s instead since very few details are given about the futuristic universe and the setting becomes more of a distraction than anything.

If you ignore the fact that the yarn isn’t told with the events occurring in chronological order (like in the fresh), one of two things that might upset purists is how the sage goes in a different direction than the current at around episode 18. With Edmond’s character being key to the yarn, Edmond only caring about revenge in the anime was the reason late the change of direction towards the ruin. In the recent Edmond was persuaded by Mercédès to alter his plans, yet in the anime Edmond turned a deaf ear to her and continued… This one seemingly minor change had a big impact on how the narrative progressed beyond that point. Thankfully, Gonzo handled the changes very well, making the finale involving for people who have read the recent since, if like me, those people would gather themselves fascinated by the original angle on Edmond’s character.

All in all, the account was a unbelievable slither. An adaptation of a timeless classic with artistic differences, it was executed excellently, at times perfectly. You do have to wait for the ‘main event’ before you gape fair how amazingly well told the fable is, the first half in particular being nearly all get up, but I detached felt compelled to maintain watching even without any major twists/events occurring.

Characters: 9.7/10

I liked fair worthy the entire cast…apart from the main character, Albert. Although I knew he had to be made rather tiresome for the sake of the position, his stupidity and inability to peer the clear became very annoying after awhile. You’d judge he’d be able to attach two and two together when Edmond impartial randomly kept appearing and Edmond himself had told Albert that there were no coincidences!

After reading the book, it became even more positive how unimaginative Albert had been made in Gankutsuou in order for the record to be told from his perspective. Although Albert was quite impulsive in the book, uninteresting was not one of the words that entered into my mind whilst reading… If anything he came across as a rather brilliant and likeable character. Have me when I say that Albert was neither a crybaby nor an idiot in the current.

Franz, Albert’s childhood friend in Gankutsuou (they aren’t that discontinuance in the fresh), shares a discontinuance relationship with Albert, the two being come enough inseparable. Unlike in the book, there are positive homosexual overtones, Franz obviously viewing Albert as more than a friend and Albert unable to explore it. Franz, like in the book, is a still and very brilliant character, in many ways being the valid opposite of Albert in the anime. Albert and Franz plunge out many times in the anime over Edmond after Franz tries to warn boring Albert on various occasions about Edmond not being all he seems.

Edmond, the Count of Monte Cristo himself, remains a mystery for most of the series. He acts kind, yet you can negate that underneath he’s hiding something; wearing a cloak to fool those around him. His character differs considerably from the character you behold in the book because, where as Edmond views himself as a servant of God in the book, Edmond views himself as a demon of revenge in the anime adaptation. Gankutsuou’s Edmond is certainly an inspiring lift on a well-known character, one that I’m clear would likely have created more discussion had more people read the new Gankutsuou is based on.

The one glaring omission from the anime cast is one of the most significant characters in the book: Abbé Faria. In the fresh, Faria saved Edmond from killing himself after he had spent many years alone in the prison of Château d’If, giving him renewed hope and someone to grunt with. Faria soon become a sort of mentor to Edmond, giving him the great amounts of knowledge he had inside his elderly mind, ending up changing Edmond from a droll boy to a pleasant man. Faria also ended up leading Edmond to fortune by telling him about the worship hidden on the island of Monte Cristo on his death bed.

In the anime, no explanation whatsoever was given for how Edmond transformed from a naive boy to the charismatic man you gape as The Count of Monte Cristo. He doesn’t even go to the island of Monte Cristo in the anime, his cave of wonders being moved to underneath his house in France. Although this does work and goes with the changes made to Edmond’s character (demon of revenge; not the servant of God he believes himself to be in the recent), Gankutsuou would’ve had more depth if Faria had at least been shown.

Overall, Gankutsuou has an unbelievable cast of characters. I do recommend you read the original if you wish to understand them fully, though – a 24 episode anime can only fit in so powerful.

Art / Animation: 9.7/10

The first thing that hits you about Gankutsuou is the rather bizarre CG do clothing and hair has. The accomplish is hard to keep into words; it’s as if the characters clothing and hair are reflective. It takes a few episodes to derive former to it. If nothing else, you have to praise the studio slow Gankutsuou (Gonzo) for the gigantic amount of grief they do in.

The second thing to hit you is the quick-witted range of colours ragged. If, like me, you went into Gankutsuou expecting to leer sunless and stupid colours, the sort fitting for a anecdote region in the 1800’s, you’d be completely bad since the colours are anything but dumb, vibrant being a powerful better description.

As expected of a Gonzo production, Gankutsuou also has a fine amount of CG outside of the clothing/hair enact, including some chronicle mecha fights. The CG is glowing at times, almost jaw dropping for a TV series.

Overall, Gankutsuou is a joy to leer…once you derive passe to the modern animation conclude. Production values were clearly not obscene here.

Sound: 9.5/10

First of all, let me say that I didn’t reflect very powerful of the opening (OP) song. The OP, while fitting, was so insensible and stupid I had to skip it after watching it once. The ending (ED) song, on the other hand, I did like, the lyrics fitting the reveal perfectly and the song being speedily paced. I feel the ED song would’ve worked better if it had been stale for the OP.

The soundtrack is very high quality, as you’d demand. There aren’t too many tracks I’d listen to outside of the series (although there is one Astonishing track), but the music fitted the demonstrate like a glove and helped maintain the sage yarn. I also loved how classical music was chosen – it made the experience feel even more special to hear both unedited and edited versions of some of the most notorious classical music in existence playing alongside the animation.

I have to mention track 18, one of the best pieces of music I’ve ever listened to. It was cheek-tinglingly radiant to listen to when it played during the best episode in the series (strangely enough, episode 18!!!), making the sequence even more thrilling than it was already.

The selection of classical music (some remixed for the anime), agreeable newly created music and one the most fitting ED songs of all time fabricate 9.5/10 a resplendent accumulate.

Total: 9.7/10

Having watched a aesthetic amount of anime, I’m hard to please. Gankutsuou blissful me, with every residence surpassing my expectations. It’s a rare, rare feeling to demolish anything and feel arrive enough completely elated, and I can’t explore me enjoying another anime as great for a long time.

I recommend this series to everyone: those who have read the recent and those who haven’t. My only suggestion is to stare the anime before reading the original if possible since we all know how people can be picky when it comes to adaptations.

Never let it be said that new anime is particular about where it draws its inspiration. The view of creating a series based on a unusual written in 1844 then setting it in the year 5053 sounds like a far stretch for any production staff and yet somehow, someway Mahiro Maeda (the director of Blue Submarine No. 6) manages to pull it off in Gankutsuou with style. The recent of course is none other than Three-Musketeer’s author, Alexandre Dumas’ Count of Monte Cristo (in case you somehow missed this series’ title) .

Here in the United States, this is a re-release by Funimation of an earlier Geneon DVD release of basically the same name. Side note: Geneon typically labeled the present Gankutsuou: The Count of Monte Cristo while Funimation flips the order to The Count of Monte Cristo: Gankutsuou. Other than that the only contrast is that rather than spreading the 24 episodes across six discs, Funimation manages to do it in four (packaged in a pair of handsome thin packs within a subtle cardboard outer case) . The source material comes to us via the intellectual minds of Japanese anime studio Gonzo; who themselves bring a long list of unusual, thought-provoking titles to the table (such as their 2007 anime adaptation of Romeo and Juliet) .

This dwelling, as has been the trend of tedious, contains virtually no extras to negate of although the language options are thorough (English dub and novel Japanese with or without English subtitles) .

The record is setup to appeal to fans of the new work and those with no prior exposure alike as it retains all of the key dwelling points but adds a few fresh elements and tells it from a totally different perspective (kind of like what John Gardener’s fresh Grendel does to the classic Anglo-Saxon poem Beowulf) .

The Count of Monte Cristo: Gankutsuou tells the legend chronicle of a wrongfully accused man’s intricate region of exacting revenge through the relatable doings of a fifteen-year-old aristocrat from Paris named Albert (pronounced “al-bear” in homage to the French author’s novel motif) . As stated above, the display goes to spacious lengths to build an atmosphere stunningly reminiscent of 19th century France while integrating unprejudiced enough technology to remind the viewer that this is, in fact, the future- and the very distant future at that.

Pacing is deliberately boring and thorough and really compliments that rather dry-nature of the source material. However, while this may be viewed as a negative with some shows, Gankutsuou turns the tale telling element into an art make in and of itself. This is adult anime and not because of the usual pitfalls that eliminate younger viewers from the equation. Rather than sexual references, violence and language, Gankutsuou can be called traditional on sage of its sophistication and mood-appropriate visuals.

In fact it is nearly impossible to win a review of the point to that doesn’t walk all over itself in praise for the artistic vision and fresh animation style. The best contrivance to picture it is imagine advance photo-realistic textures layered slow transparent character models. If that sounds uncommon to you, rest assured, it is but somehow it works. What makes the visuals so original is that the textures are static, meaning they don’t disappear even when the character boasting them does. It’s one of those traits so original that you may go as far as to impress it distracting early on yet it manages to become subdued as the viewer loses himself in the ever-thickening place. Even by the later episodes there are a few homely examples of where texture-overloaded scenes near off as overly busy or muddled but as a whole, the source material literally benefits from this fresh art style.

If there were a single complaint worth mentioning about the note it would have to be the simple reality that this isn’t hurry of the mill anime by any sense of the word. It’s fair difficult to site the exhibit into a genre in fact. The account is, quite frankly, unlike any other seen in unusual anime, which I notify is to be expected when you remember that this is classic literature in curious do. Viewers expecting scantly clad women, characters with abnormally mountainous and watery eyes, or slapstick of any kind need not apply. Being that the setting does acquire location in the distant future, there are a few robotic fight scenes (duels that wouldn’t recognize out of spot in Escaflowne) and some fine chilly area disappear concepts.

As a whole, though, it would be easy for viewers with a short attention span to become bored. There’s a valid and wonderful plug to the state that requires patience and a bit of maturity (or at the very least, an appreciation for attractive culture) .

When directly compared to the modern recent, some may scoff at the fact that there is a limited supernatural angle that acts as the backdrop here. Without revealing too distinguished of the loyal mystery presented within, let me honest comment on the character of Edmond Dantes allowing an insalubrious entity (Gankutsuou) possession of his body so as to dash imprisonment and to realize his ambitions of revenge. A fan of the fresh work, it is a bit disappointing personally to trace that Edmond’s creativity in escaping his prison was omitted here. Worse level-headed is that while the new can be viewed essentially as a cautionary story in the dangers of allowing vengeance to overtake one’s life, here the metaphor is perhaps taken a bit too literally. Otherwise, and especially lawful for those not tied to the beauty of the current work, the supernatural elements do go a long draw in adding intrigue and creepiness to the formula.

The show’s music obtain is not only hauntingly appropriate; it’s at times, dare I say, catchy (especially the opening theme which is about as fresh as they advance) . Throughout are rich piano scores and solid symphonic pieces.

In all, Gankutsuou: the Count of Monte Cristo is one of the most current properties of all time to grace anime ideology. With a timeless epic, current art style, and underlining themes that nearly anyone can abet from in their hold lives, Gankutsuou reminds us all that unique art is far from dead; if even only the result of rejuvenating the classics as the case may be.
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Happily N’ever After Movie Streaming

February 23rd, 2010 by rey6441669
Happily N'ever After Movie Streaming. Happily N’ever After Movie Streaming.

Movie Title: Happily N’ever After
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Our narrative takes space in Fairytale Land, a kingdom populated by every fairytale character you’ve ever met. The balance between sterling and cross is maintained by a wizard (George Carlin) who makes certain that every legend follows the book.

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The time has arrive for Cinderella (Sarah Michelle Gellar) to have her fairytale ending. The Prince (named Humperdink. A nod to Princess Bride? Either arrangement, he’s voiced by Patrick Warburton) is hosting a ball on his twenty-first birthday. Cinderella is area to go and tumble in cherish, objective as the record dictates.

This doesn’t sit well with Rick (Freddie Prinze, Jr.) . He’s a servant in the castle and has fallen for the elegant Cinderella. Fighting a awful case of prince envy, he wonders why he never gets a joyful ending.

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While all this is happening, the wizard decides to go on vacation and he turns things over to his two assistants, Munk and Mambo (Wallace Shawn and Andy Dick) . Mambo wants to add a bit of variety to the stories while the wizard is away, and the two begin fighting.

Overhearing their fight is Frieda (Sigourney Weaver) . She’s Cinderella’s contaminated step mother. She seizes the golden opportunity to purchase over the kingdom and tip the scales toward sinister. Now it’s up to Cinderella and a very reluctant Rick to return tickled endings to Fairytale Land.

I’m always up for a satisfactory fractured fairytale, a genre that has become current since the success of Shrek. I was looking forward to this one, but it failed to live up to expectations.

The biggest dilemma with the movie is the lack of development. Everything felt rushed, like it knew what it had to do and wanted to catch it over with as snappily as possible. The characters were also shallow, and I never felt like I got to know them, which made it hard to root for them.

There were a few amusing lines in the movie, but most of it was played surprisingly straight. The Prince was the one exception, with a broad running joke about consulting his book before everything.

This isn’t the detailed animation we are customary to. It’s stylized with lots of strange angels. It works, but considering what most studios are putting out, it is a bit surprising.

The issue cast does tall, with one exception. There was something about Sigourney Weaver’s pronounce that bothered me. It almost felt like she reading the script with. She showed hardly any personality.

Unlike many films that adults and kids can luxuriate in together, this one is strictly for the kids.

What I found engaging about “Happily N’Ever After” was its willingness to turn classic fairy tales upside down. What if the princess doesn’t wind up with the comely prince? What if Sleeping Beauty remains asleep after Prince Charming kisses her? What if Rupunzel’s golden hair caused more problems than it actually solves? We rarely gaze this kind of intentional manipulation when it comes to fairy tales, and that made this film a lot more savory. It helps that it has a prominent sense of humor, making it delightfully light and airy. I was reminded of Disney’s “The Emperor’s Original Groove” as I was watching “Happily N’Ever After”; both are films that depended on their heavy-handed jokiness in order to be arresting.

Fortunately, this blueprint worked in both cases. While this film isn’t exactly meaningful or relevant, it’s aloof tells a amusing, good-hearted legend. The jokes commence almost as soon as the film begins; an despicable woman waves a magic staff, shooting lightening into the air. Fair as the lightening forms the letters of the film’s title, the reel stops, exposing the celluloid’s square holes. That’s when the story’s narrator tells a joke, of which I only remember an announcement to proceed a vehicle with Narnia license plates. After that, the succor epic is established: in Fairy Memoir Land, The Wizard (George Carlin) is in charge of maintaining the balance between fine and inappropriate in all fairy tales. Basically, he makes clear that every myth ends the scheme it’s supposed to raze, with the princesses getting saved by the princes and everyone living happily ever after.

The Wizard goes on vacation, leaving his assistants–Munk (Wallace Shawn) and Mambo (Andy Dick) –in charge of his control room located in the top tower of The Prince’s castle. I liked the layout: in the center rests a enormous crystal ball that acts like a television plot (with a remote control, I might add) ; above it are the precious Good/Evil scales. Bored with the same, predictable fairy tales, Mambo finds the thought of tipping those scales increasingly appealing; he wants to gaze edgier fairy tales, ones that may be turned into something novel. Munk, on the other hand, is actual and tidy, and will not stand to have his dimwitted co-assistant end everything for everyone.

Meanwhile, we’re introduced to the narrator: his name is Rick (Freddie Prinze Jr.), the lowly servant to the elegant but clueless Prince (Patrick Warburton), who obsessively reads a rulebook and follows its every thought. Rick’s working day is no picnic. He washes The Prince’s dishes. He shines The Prince’s boots. He even flosses The Prince’s teeth. Such dreadful daily routines have turned Rick a bit world weary; stories ending with a prince saving the day doesn’t necessarily acquire him the most worthy for the job. Rick may have a thing or two to offer a damsel, especially when it comes to the splendid Ella, nicknamed Cinderella (Sarah Michelle Gellar) . Unfortunately, Ella is too blindsided by her cherish for The Prince to study Rick for who he really is.

As we all know, Cinderella lives the life of a slave in the home of her stepmother, Frieda (Sigourney Weaver), and her plain stepsisters. It’s announced that The Prince is throwing a ball, and every eligible maiden is required to aid. Being the tainted, short-tempered person she is, Frieda purposely overworks Ella, giving her no time to accept ready for the ball. But, lo and peep, the fairy godmother shows up, ready to aid Ella out in her time of need (in this version, the fairy godmother is made to be a bit senile: “I’m here to grant your wish to become a steady boy,” she says when she first arrives, paving the contrivance for a couple of other verbal goofs) . Once she arrives at the ball, she’s given the warning that the magic will only last until midnight.

Yes, we’ve definitely heard this epic before. But assume the moment when Frieda arrives at The Prince’s castle; she overhears Munk and Mambo’s shenanigans (highlighted by Mambo’s come disastrous encounter with the crystal ball) and decides to bewitch matters into her believe hands. It now seems that every fairy myth will have unique endings, ones that don’t slay happily. This is because Frieda manages to gather The Wizard’s magical staff, giving her control over Fairy Narrative Land (this is actually where the film began) . She then watches the stories unfold on the crystal ball, and when the endings arrive, she forcefully tips the Execrable scale. This is also done to Ella, who up until then had been having a wonderfully romantic evening with The Prince (the instant her ball gown transforms attend into humble peasant clothing, The Prince immediately believes that his maiden has bustle off) .

Thus begins fight to do Fairy Account Land from an eternity of heart-broken endings. But it won’t be easy: Frieda has called forth all the fairy anecdote villains, including the Colossal Terrible Wolf, Rumplestiltskin (who becomes her sidekick), the giant from “Jack and the Beanstalk,” witches, and goblins. Ella is convinced that The Prince is the only one who will be able to attach the day; that is, after all, how it works in all fairy tales. But Rick knows better, especially when it comes to The Prince and his ridiculous sense of superiority. He decides to join Ella, Muck, and Mambo in their quest to set their world and defeat the noxious Frieda. If they race, maybe happily ever after will once again be the norm for fairy tales.

Such a situation description must cement my claim that there’s nothing relevant about this film. “Happily N’Ever After” is an escapist film, presenting a epic that’s easily understood and free from depth or complexity. I’m not obvious why I found such qualities enjoyable; I’m usually the first to condemn a film for being overly simplistic. Maybe I was taken by the over the top sense of humor, such as the reinterpretation of the Seven Dwarfs as militant survivalists. Maybe I recognized the inside joke of The Wizard’s passion for golf; George Carlin has been vocal in his hatred of that sport. Or maybe I was generally in a satisfactory mood. Nonetheless, I’ll recommend “Happily N’Ever After,” even if it’s only for the light subject matter.
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Watch Rush Hour 3 Online

February 22nd, 2010 by rey6441669
Watch Rush Hour 3 Online. Watch Rush Hour 3 Online.

Movie Title: Rush Hour 3
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Rush Hour 3 is available for streaming or downloading.

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I have a seek information from, why are people giving this movie awful reviews that position themselves they didnt even really like the other two movies to launch with? Im not gonna go write a review about harry potter or something I disapprove and trash talk it cuz my idea is irrelevant. If you liked the other two movies then this one will not be disappointing. This movie was supposed to be a comedy with some martial arts action poured on top and thats exactly what it was. Chris Tucker was hilarious in it and if he annoys you then dont search for the movie. I was in a completley packed theater and every person was laughing so hard people were losing their breath. So obviously SOMEONE thinks Chris Tucker is humorous. All the haters need to assist off of this post.

I remember 2007 has been the year of the three-quel’s, and at long last–after the ambitious excess of “Spiderman 3,” the lackluster of “Shrek the Third,” the love-it-or-hate-it logic to the “Pirates” finale, the return to glossy fabricate of “Ocean’s 13,” and the tense, bright “Bourne Ultimatum” (which gave a ample ultimatum to its gain franchise) –we advance to its ruin with the fun, campy adrenaline-rush of Jackie Chan and Chris Tucker re-teaming for “Speed Hour 3.” At the kill of watching this I though it was okay but I felt a bit sunless that it had to reach to an demolish like this because I devour the first two very distinguished.

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Jackie Chan (Lee) acts well as usual (have some scrape for pronouncing things but I didn’t mind that) and Chris Tucker is peaceful hilarious and he’s tranquil loud as ever. The jokes are decent and I had my shares of laughs here and there, the only plight I have with the comedy is that sometime they try to stretch it far to considerable and you’re ending up saying “We salvage it already”, The chemistry between the two leads is unexcited there which makes these movies fun in the first dwelling.

This was an unneeded yet consuming entry into the series, but it is basically the treasure child of the first two. The outtakes as usual are the best portion of the film.

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Rumors of filming a fourth Race Hour film immediately after this third installment were apparently scrapped due to unknown reasons, but one could easily venture that failing interest in the series hamstrung such a project (but who knows …maybe there will be a fourth) . Plenty of eye-candy awaits those guys who like to observe marvelously curvaceous women whom you normally would only survey air-brushed on magazine covers. Most notably is French actress Noémie Lenoir who plays Genevieve, a dancer with a very special head on her shoulders.

But beyond that, you’re not going to peek mighty that’ll intrigue you. The narrative has been done ad nauseam, as have all the jokes. Let ‘er rest in peace, guys.

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Watch Sesame Street – A Magical Halloween Adventure Online

February 19th, 2010 by rey6441669
Watch Sesame Street - A Magical Halloween Adventure Online. Watch Sesame Street – A Magical Halloween Adventure Online.

Movie Title: Sesame Street – A Magical Halloween Adventure
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Sesame Street – A Magical Halloween Adventure is available for streaming or downloading.

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My son loves Sesame Street and has since he was a year broken-down. He’s not Elmo-crazed but he does fancy Elmo along with Cookie Monster (his celebrated), Ernie, the Count and Baby Maintain. I was trying to pause away from Elmo says BOO! because I bought him Elmo Saves Christmas last year and he won’t behold it all the contrivance through (I assume it’s too mighty elmo and not enough of the other guys) wich is why I picked this Halloween DVD. It’s got more characters in it. This DVD is basically about the rituals of Halloween and what people do on the holiday for example it’s got a bolt to an apple cider factory to prove how they fabricate apple cider.

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The movie’s educational and I, personally, like it but I consider it’s more for a 4+ child, not toddlers. If your child is 4yrs or older then I assume it’ll be an helpful choice.

We’ve got It’s The Broad Pumpkin Charlie brown wich he loves & The Nightmare Before Christmas (or what he calls “JACK”) wich he loves but I wouldn’t recommend for toddlers. I guess we’ll try Elmo says BOO! Wish us luck and Tickled Halloween! :)

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Our daughter, who honest turned two in August, absolutely loves Sesame Street. When we bought her this movie we hoped it would retain her as alive to and alive to as the TV expose and it has far exceeded our hopes. She has watched it over and over since the beginning of October, (along with her 9 year-old sister and 10 year-old brother if you can enjoy that!) and she now not only sings some of the laughable songs, but says some of the lines with the characters, too!

It is very informative and yet it keeps her attention. Every time she sees the fragment about the apples and the cider mill, she asks for an apple to eat!

I am now in the hunt for the perfect Sesame Street holiday note, (maybe Elmo’s World Joyful Holidays? ), so that the Halloween shows can be hidden away until next year.
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Stream The Wizard of Oz Movie Online

February 17th, 2010 by rey6441669
Stream The Wizard of Oz Movie Online. Stream The Wizard of Oz Movie Online.

Movie Title: The Wizard of Oz
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The Wizard of Oz is available for streaming or downloading.

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Like most baby boomers, I’ve watched this film dozens of times in the past on broadcast TV, then VHS tape, then LaserDisc … but I had never actually SEEN “The Wizard of Oz” until this newly restored DVD came out. It’s an fabulous transfer. The sepia-tone Kansas sequences are startlingly exciting and distinct, and the Technicolored world “Over the Rainbow” is truly pretty. I found myself fascinated by details I had never noticed before: the glittering corn stalks in the Scarecrow’s field; the mirror-like floors of the Emerald City; the polished buttons on the guardsmen’s uniforms. Incredibly, even the individual grains of red sand in the Witch’s hourglass stood out and glistened! All these minor-but-sumptuous visual details served to heighten the magical spell that the film has always woven, enhancing the performances, the chronicle, and the music.

The DVD extras are a mind-boggling embarrassment of riches. The “Making Of” documentary hosted by the incomparable Angela Lansbury is worth the trace of the DVD alone, but there’s so worthy more: an international poster gallery, interviews with cast members, deleted scenes, production stills, radio clips, etc, etc. There’s enough material to maintain even the most casual viewer fascinated for hours, and a just Oz buff will be occupied for days!

If you only bought a DVD player to observe this one disc, it would well be worth the expense. Treat yourself, and topple in esteem with this classic film again … for the first time.

I was honest critized for foisting off the following review of the 3-disk DVD space as a review of the unique Blu-ray. I didn’t; Amazon did. As anyone who’s been here for a while will contemplate, Amazon throws all DVD reviews into the same bucket, regardless of the edition. So don’t blame me.

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I impartial got the Blu-ray, and will have some comments on it at the slay.

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There’s no need to discuss “The Wizard of Oz” itself, a classic among classics (though I’ll have something to say about its “philosophy” later on) . You probably want to know whether the UltraResolution transfer justifies the bewitch.

It does. Oh, yes it does.

“The Wizard of Oz” has always looked excellent, one of the better Technicolor films. Unlike “Gone With the Wind”, which was generally black and desaturated, and which UltraResolution greatly improved, I didn’t put a question to noteworthy enhancement for “Oz”.

Was I ever harmful. I stared with my jaw hanging inaugurate. “Oz” is the best UltraResolution transfer by far — and the others were not exactly chopped liver.

The improvement in detail and sharpness is startling, especially as the fresh prints did not seem obviously lacking in either. Even more incredible is the expansion of the tonal scale. Dusky scenes (particularly those in the forest and outside the “witches” castle) are now filled with rich detail. Have you ever noticed how graceful the Winkies’ red, white, and gray uniforms are? I hadn’t — until now.

These enhancements combine acquire the biggest improvement of all — a major revelation of _texture_. The “feltiness” of many costumes is sure. The burlap of the Scarecrow’s face is now plainly visible, particularly in the close-up where he misstates the Pythagorean Theorem. And the Lion’s costume is a thick pile of fur you want to advance out and stroke. You can search for every last strand of hair.

I’m exaggerating only slightly when I say the improvements of this UltraResolution transfer are not considerable less than those from cleaning the Sistine Chapel’s frescos. It’s as if layers of murk and grime — that you never even knew were there! — have been stripped away. Until you understanding it, you cannot imagine what this film (that is, the modern camera negatives) _really_ looks like. It’s a shame the people who created “Oz” never got to watch it this plan.

The image quality is so high that I often felt as if I were looking through a window at live performers. (Well, almost.) No matter what versions you already have, you won’t be disappointed with this one. I watched it twice in two days, and I might even conception it a third time tonight.

My only quibble is that several matte paintings do not blend properly, because the hues at the join lines do not match those of the scene. This could have been fixed; I suspect it seemed too mighty work for a petite improvement. (A friend suggested that these sorts of things are left in because videophiles bask in finding them.)

As to the differences between the two- and three-disk sets… The latter includes a packet of unusual programs and promotional material of the sort we haven’t seen in 40 years ago. (Remember the 50-cent deluxe programs for road-show films? ) There’s also a place of 10 reproductions of Kodachrome publicity photographs. For this viewer, these extras alone elaborate the higher imprint.

The third disk will be of most interest to lovers of all things Oz. It includes a handsomely produced biography of L. Frank Baum (challenging enough that you might want to spy it more than once), plus all the quiet Oz films and a Technicolor Oz cartoon. The existence of these is distinguished to anyone familiar with the history of Oz productions, but they’ve never appeared (as far as I know) in any home-video format.

The films are problematic. The two from Baum’s production company are the best — they have style, charm, and imagination. The others are cheesy ripoffs that hold miniature relation to the recent book. The Larry Semon — a once wildly-popular but now virtually forgotten cartoonist and comical * — version is especially unpleasant, as it is petite more than a vehicle for Semon’s mark of physical comedy. The Baum estate is at least partly to blame — _any_ movie version must have seemed more dazzling than none, especially as the technology to get a convincing version of “Oz” would not exist for another 15 years.

The film’s opening titles praise the book’s “superb philosophy”, which seems to be either “You already have everything you need to be overjoyed”, or “The reply to your problems lies within yourself”. These are not so noteworthy “good” as reflections of the hard-nosed “All your problems are your have fault” and “If you’re not a success, it’s because you’re idle” homilies that grew out of the astronomical opportunity for personal development and material success this country offered.

I absorb L. Frank Baum had something a bit different in mind. “The Wizard of Oz” is a fairy sage in which magic has no bearing on the issues at the center of the myth. I maintain Baum wanted to discourage children from fantasizing that magic could be a solution to one’s problems.

So… he has the four principals perform a grueling lope to the Emerald City, then rep the wizard is a humbug. (What a shame the blander “deceptive”, “fraud”, or “phony” have replaced that luscious word.) He posesses no magic to supply wit, treasure, or grit, which the Scarecrow, Tin Woodman, and Cowardly Lion have demonstrated they already have.

Baum’s “good” is simple — Like, wisdom, and courage are what we need to fetch through life. No one can _give_ them to us, because we _already_ beget them, and all we need to do is affirm them.

“Is that accurate? ”

“That’s all it is.”

Now… the query you’ve been waiting for the respond to… Is the Blu-ray spot worth the imprint?

I viewed the Blu-ray on a Pioneer 60″ Pro Kuro, fed from a Sony BDP-S550. I also watched the DVD on the Pioneer (fed from the same Blu-ray player), and on a 36″ Sony 400-series WEGA “improved definition” TV (fed from a Sony DVP-S7000) .

The DVD remains a terrific DVD, and looks terrific on a high-quality 480i monitor. (Peek the preceding review.) It was, and serene is, a demo-quality DVD.

When played on the BD player, and upconverted to 1080p, the DVD’s image on the Kuro is heavenly darn righteous — the sharpness and detail are at least “acceptable”. But when you play the Blu-ray disk, the image goes from “acceptable” to almost-startling. Two examples… Ticket the enhanced detail and texture in the weather-beaten wood above the WWE’s listless legs. And in the crowd scenes, you can contemplate (unbiased about) every Munchkin face. There is virtually no smearing of detail.

So… should you run true out in a buying frenzy and salvage the BD edition? It depends.

The DVD is fine enough for an expedient portray on a high-quality SD monitor. But even upconverted, it isn’t pleasurable enough for a _large_ HD expose. If you have, say, a 40″ display; your BD player has a noble upconverter (not all do) ; and you don’t sit “on top of” the cover (as I do) ; you might behold slight contrast between the DVD and the Blu-ray.

But if you’re a video fuss-budget (as I am) and sit closer than the “experts” recommend (why _shouldn’t_ you? ), you will almost certainly recall the Blu-ray. It’s your call.

A few remarks on the extras… The wristwatch, as the kid in the Ally bank commercial says, is a part of junk. The invent shows no particular style, wit, or imagination. And as others have said, “The Dreamer of OZ” is a melancholy transfer, very badly unpconverted to 1080. It is not of acceptable quality, and should have been effect on the DVD disk.

I will advance relieve later (I hope) with some more comments on the sound and the other extras. Forcing yourself to repeatedly observe grand chunks of a movie, regardless of its quality, is an ennervating experience.
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Watch The Gay Divorcee Online

February 14th, 2010 by rey6441669
Watch The Gay Divorcee Online. Watch The Gay Divorcee Online.

Movie Title: The Gay Divorcee
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THE Pleased DIVORCE had been perhaps the most significant stage musical of Fred Astaire’s Broadway career. Though out the 1920s, he had been the lesser half of the most eminent dance team in American entertainment: Adele and Fred Astaire. Fred’s sister, an enormously gifted silly dancer, had been the center of the act throughout their career, but when she retired to marry English royalty, Fred was placed in the dwelling of needing to reinvent himself and pick up his career. Somewhat unexpectedly, Fred’s tall success in THE Satisfied DIVORCE established him not unbiased as a humorous dancer, but as a romantic one as well. An offer by Hollywood to arrive and remake the stage success as a film was popular.

Fred arrived in Hollywood, but his studio, RKO cast him in FLYING TO RIO before beginning THE Overjoyed DIVORCE. Although he was fifth billed and the third billed male, his dance numbers with a contract dancer RKO had fair obtained from Warner Brothers, Ginger Rogers, were the hit of the film. Against his wishes, RKO suggested casting Rogers in THE Glad DIVORCE because of their success as a team in FLYING TO RIO. That was what Fred was shy of: a team. He had fair managed to rupture free from being understanding of as the lesser half of Adele and Fred, and he was hesitant about a unusual partner. But RKO won out and, as they say, history was made.

THE Gratified DIVORCE was fast redubbed THE Joyful DIVORCEE (the Hays office objecting that divorces could not be satisfied but were instead always miserable affairs, although a divorcee could be) . Fred was given nearly complete artistic control of his dance numbers, and instead of the highly choreographed numbers popularized by Busby Berkeley at Warner Brothers, Fred argued for filming his scenes with cameras objective barely above ground level, and as end to one shot as was possible. The result was an emphasis not on visual pyrotechnics, but on the intimacy and emotions in the dance.

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The results were handsome. Although most of the songs from the stage musical were jettisoned, the greatest was kept, and in many ways it remains one of the mythic numbers in the history of musical cinema: Cole Porter’s “Night and Day.” The number defined for all time what Fred and Ginger were all about. Until this moment in the film, Fred had been futilely chasing Ginger, only to be rebuffed time and again. But once he begins to issue “Night and Day” she begins to have a twinge of interest. And once he grabs her arm and begins to dance with her, we manage to glimpse one of the colossal seduction scenes in the movies. At the beginning of the song, she unruffled has no interest in him; at the extinguish of the dance, they are in like. Although Ginger was never Fred’s equal as a dancer, she was unbelievable in the manner in which she could retort emotionally to him in their dancing. Their dancing is so very nearly like love-making that we are not at all surprised that as the dance ends, and Fred’s gently spins and lowers Ginger onto a couch, he rocks serve on his heels, reaches into his jacket, and pulls out his cigarette and offers one to her. It is as perfect a moment as exists in film.

THE Jubilant DIVORCEE succeeds primarily because of Fred and Ginger’s fantastic magic together, but it is also a delight because of the unbelievable comedic cast. Erik Rhodes, a native of Tulsa, Oklahoma, had only two well-known roles, both times as an Italian in two classic Astaire-Rogers films. In this film and in TOP HAT, he manages to retract nearly every scene he is in. Edward Everett Horton and Eric Blore both were so perfect in their roles that they reappeared in several other Astaire-Rogers films. Alice Brady brings her classic insanity to the film.

The film, of course, achieved Fred Astaire’s worst fears, and gave him a unusual partner. But given the fantastic success of Astaire and Rogers, I don’t reflect anyone believes that this was in any sense an unhappy turn of events.

Fred Astaire plays a dnacer returning to England from a journey abroad. In the Customs shed he meets Ginger Rogers in an embarassing dilemma. He tries to gain out who she is, but she refuses to notify him, and he spends ages searching London for her until he finally tracks her down and begins to awaken her interest. Ginger goes down to Brighton with her friend dithery much-married Alice Brady, and Astaire and his dithery lawyer friend Edward Everett Horton go in pursuit. Ginger has gone to Brighton to try and bag a divorce, she intends to exercise the night with a professional co-respondent. Somthing Astaire says makes her consider he is the co-respondent, which puts her factual off him. Fortunately the loyal co-respondent, a little Italian, turns up (”your wife is pleasant with Tonetti,he bewitch spaghetti”) and the mystery is sorted out. But what will happen when Ginger’s husband arrives the next morning? will she glean her divorce. This is a incredible film, with a amusing but extremley silly situation, and some astounding dialogue, particularly between Horton and Brady, who somehow manage to slay up married to each other, noteworthy to their surprise. An absolutely delicious film.
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Stream The Lives of Others Online

February 12th, 2010 by rey6441669
Stream The Lives of Others Online. Stream The Lives of Others Online.

Movie Title: The Lives of Others
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The Lives of Others is available for streaming or downloading.

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Hopefully, Academy members will rightfully award the Oscar tomorrow night for Best Foreign Language Film of the Year (2006) to ‘The Lives of Others.’ Writer/Director Florian Henckel von Donnersmarck’s debut stands head and shoulders not only over the other nominees, but also over all the nominees for Best Portray. That so-called ‘best’ list pales in comparison to the heights attained by von Donnersmarck’s creation. It is a expertly-plotted, richly-told depiction of life under the dominion of the East German spying apparatus, the Stasi.

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‘Lives’ tracks the Stasi’s efforts to bug and disrupt the lives of writer Georg Dreyman (a striking Sebastian Koch) and his actress girlfriend Christa-Maria Sieland (the incomparable Martina Gedeck) . Assigned to the case is Stasi agent, Gerd Wiesler, indelibly played by Ulrich Mühe. The reasons for spying on Dreyman and ‘CSM’ (as the Stasi calls her)? A Politburo minister has the hots for CSM. That’s it. For that most personal of reasons, lives are ruined. A professional reviewer of ‘Lives’ really hit the nail on the head when he said that the movie turns on the fact that Weisler realizes he is spying into the life of a man who is ‘vastly his correct good.’ That’s it. You find propelled into Dreyman’s life and you are struck immediately and permanently by his decency and the quality of his character. Over time, Weisler starts injecting himself into the proceedings. At that point, the sequence of events is irrevocably changed.

von Donnersmarck’s movie is a continual series of one substantial scene after another. I understanding perhaps it had reached its denouement with the drop of the Wall. But it keeps getting better. Dreyman requests his Stasi files. He begins to portion together the memoir and the role of Weisler.

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‘The Lives of Others’ is 137 minutes of the best entertainment imaginable. Ulrich Mühe is an East German who himself was the target of Stasi oversight. For this film, he was awarded Best Actor at the 2006 European Film Awards. Is there a more fair triumph than that?

I often don’t agree with Oscar choices, but this time they got it proper.

“The Lives of Others” is one of the most racy movies about communism that I have seen in a decade; it shows, as few others have, how communism suffocates human imagination…not unbiased stifles political dissent.

A notice – Captain Wiesler – is given the task of eavesdropping on a well known playwright, not for political reasons, but because a communist boss is jealous of the man and wants his female lover for himself. As the ogle begins listening in, he begins to inquire of the values of his society and the integrity of his orders.. Up to that point, Wiesler dutifully obeyed without examine. But as the behold continues to experience the world of the playwright, he starts to live the subject’s life vicariously…so the enemy ironically becomes the friend. The experience helps Captain Wiesler grow in humanity so he ultimately makes the decision to rush interference to effect the playwright’s life.

The film details the transformation of an organization man in a hostile society…and makes us remember the colossal books of totalitarian dangers such as Animal Farm, Anthem, Mettlesome Unusual World, and of course, 1984. (It is no accident that the key YEAR in which the events choose dwelling in this film is indeed 1984) . Instead of leaving the viewer in a set of deep negativity, “The Lives of Others” gives us reason to hope, reason to absorb that goodness may prevail over corruption. So by the slay, I was deeply moved.
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Watch Kings – The Complete Series Online

February 9th, 2010 by rey6441669
Watch Kings - The Complete Series Online. Watch Kings – The Complete Series Online.

Movie Title: Kings – The Complete Series
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Kings – The Complete Series is available for streaming or downloading.

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This show does have its faults. The biggest one is how modern speech is intermingled with Shakespearean dialogue… it gives the show gravitas, but it cuts back on the realism. There are some unlikely events, but since this is a retelling of a Bible story in a modern setting, I don’t mind it, and as a sci-fi enthusiast I even like it. The show does take things very seriously, with two unlikely security guards providing comic relief that quite frankly, isn’t very funny. There is a lot about the world that we don’t know, and there is little exposition, which will drive alternate universe fans up a wall. Additionally, if you jump into the series mid-stream, it may take you a few minutes of viewing to become acclimated.

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If you can get past those faults, you’ll find some of the best there is on TV right now, especially network TV. Sub plots that seem to have nothing to do with one another cleverly weave together throughout the hour to come to surprising twists at the end. Though the characters are mostly archetypes, they are very interesting, and you want to know more about them– especially Silas and how he became king. The way religion is portrayed and how it affects things is very reminiscent of the new Battlestar Galactica; the multi-ethnic cast reminiscent of Star Trek, politics will have you waxing nostalgic for The West Wing, and best of all, it’s not another cop, lawyer or doctor show. It’s not insipid reality TV or a recycled sitcom. This is truly original, intelligent programming.

Unfortunately, due to the worst viral marketing campaign I have ever seen, I don’t think we’ll get another season, so get this show and watch it on your own. NBC did very little to promote this series, but is going out of its way to push another cheap cop drama on us. The show, the story, the actors, and we, the viewers, deserve better. If we’re lucky, maybe a cable channel will pick it up and we’ll get some more brilliance. NBC should not have been given the chance to kill this critically-acclaimed show. It deserves to be on HBO– and in your DVD collection.

Rarely does a television series come along that challenges the norms, takes things a step further from what we already see. Television is a hit and miss industry in the first place. When a high concept series comes along, it is an even tougher sell. That’s why it is such a rare occurrence when shows like Lost and Heroes break through.

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Though for every breakthrough hit, there’s probably 5 other shows that fail. Which is very unfortunate, because there such creative, well-written, well-produced, and well-acted shows that go unnoticed. This isn’t a new phenomenon, but it doesn’t make it any less sad.

Visually stunning cinematography, outstanding cast, and excellent writing… Kings deserved to be a hit. But alas, one season is all we’re going get. One season that is not like anything else on network TV.

And thankfully, it can live on on DVD so one day, its greatness can be truly realized.
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Stream The Guns of Navarone Online

February 8th, 2010 by rey6441669
Stream The Guns of Navarone Online. Stream The Guns of Navarone Online.

Movie Title: The Guns of Navarone
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The second movie in Columbia’s newest wave of World War II movies (along with “The Caine Mutiny”) is the 1961 Academy Award-winning film for Best Special Effects, “The Guns of Navarone,” which stars Gregory Peck as Keith Mallory, the leader of a group of British commandos tasked with destroying two gigantic German anti-ship guns.

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The British are desperate to evacuate 2,000 soldiers from the Aegean island of Kiros, with the only sea route through a stretch of water commanded by the guns that are encased inside a massive cliffside bunker that is immune to air attack.

Based on the best selling novel by Alistair (Where Eagles Dare) MacLean, Mallory has been working on occupied Crete for two years and as an expert mountaineer is the perfect choice to ferry the team to the only part of Navarone not monitored by the Germans – a 400-foot cliff.

Joining Peck is David Niven as explosives expert John Anthony Miller and Anthony Quinn as a Greek resistance fighter.

MacLean is known for being able to weave together a great story and this movie is consistently entertaining. In fact the film was already afforded a respectable special release on DVD in 2000. Columbia though have outdone themselves with this 2-disc set by adding a second audio commentary and four new documentaries.

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The original release included a rather dry, faltering, but informative commentary by director J. Lee Thompson, a smattering of archival featurettes of varying quality and an anecdotal documentary on the making of the picture featuring on-camera interviews with Gregory Peck, Anthony Quinn, James Darren and J. Lee Thompson named “Memories of Navarone” and running at 29:34. It’s a nice, breezy documentary and entertaining – detailing some of the experiences the cast had working on the picture.

However this new release includes a lively commentary with historian Stephen J. Rubin who mentions that this film started the trend of Hollywood going outdoors. Up until this time most movies were filmed on the studios backlot, whereas this movie was filmed on the island of Rhodes. He also discusses the cast (including a very young Richard Harris). Rubin also discusses some of the differences between the MacLean novel and the movie – which appear to be a number of changes to characterization and details some of the criticisms of the movie when it was released – including the fact that the actors were too old to play commando’s, many being as they were in their 40s and 50s. Though Rubin quickly adds that he feels it was cast perfectly.

Also included are two new documentaries, the first of these “Forging the Guns of Navarone” runs at 13:58 and includes on camera interviews with Eve Williams-Jones (the former wife of producer Carl Foreman) and Assistant Director Peter Yates (who himself went on to become a very successful director in his own right). Apparently Thompson was not the original director for the project and Yates credits Thompson for his ability to jump straight into a film that had already shot much of its second unit work as well as his ability to manage so many big name actors. Yates also reveals that despite their on-screen animosity towards each other, both Niven and Peck got along well together determined to have as much fun as possible on the picture. Yates also recounts how the crew would refer to it as “The biggest B-feature ever made.”

The second new documentary “The Ironic Epic of Heroism” runs longer at 23:38 and is essentially an on-camera analysis of the movie by noted Film Historian Sir Christopher Frayling (who was mistakenly credited with providing an audio commentary in the press release for this DVD release). Frayling is quite engaging as he recounts such facts as Foreman’s initial reluctance to handle the project. Foreman once said that he was incapable of making a movie that did not make statements and he initially saw the MacLean book as a simple action adventure. It was not until he re-read the novel that he realized it could serve to make statements about the futility of war and the ability of war to bring out the best in people.

Frayling also reflects on the fact that the movie was the first global production caper-style World War II movie to be played as an action adventure in a style he describes as “incredibly innovative.”

Also included on this new release is the restored intermission with score that was seen in some European cities (it is listed as an extra since it is not part of the official cut of the movie) and featurettes on the Dimitri Tiomkin score which details the subtle differences throughout the movie and a fascinating look at the UCLA restoration.

The restoration featurette details the tortured path towards restoring a film that was in such terrible shape that they needed several sources of original negative, both from Columbia and a private collector. In an example of the work the UCLA team had to do, the print they were provided by Columbia had the plane crash at the beginning of the movie happen in broad daylight. This apparently is how most people have seen the scene in recent years. That was until one of the eagle-eyed team at UCLA noticed that one of the trucks had it’s headlights on and wondered why. Sure enough they were able to track down a copy of the print from a private collector that showed that the crash happened at night with the screen various shades of blue – and that is how it was restored.

In another instance the print UCLA had also had the infamous dubbing of Richard Harris where the censor had the word “bloody” replaced with “ruddy” for some of the screenings in the UK (the word “bloody” is considered a swear word in the UK). The UCLA team prevailed again and were able to locate a copy of the correct audio still intact).

On a sidenote the DVD also affords fans of Tiomkin the opportinity to hear the opening sequence sans the narrative as a special feature on the second disc. This apparently is a special feature that had been requested for years.

The Guns of Navarone is a wonderful film that touches upon the issue of how difficult it can be to make moral choices during the course of a war. The screenplay is fascinating in the sense that every major character in the film has their own notions of just how far they should go in applying the necessary force “to get the job done” in a war.

The movie is about six saboteurs who must destroy two gigantic guns, which present a danger to the Allied Navy. At the very beginning of the movie, viewers immediately have their first taste of a moral dilemma when Commodore Jensen, the organizer of the mission, has to decide between sending six qualified men to an almost disastrous and suicidal mission or simply scrapping the mission and leaving 2,000 trapped British soldiers to a certain doom. Commodore Jensen sees the choice as a foregone conclusion and thus resorts to lying to the leaders of the mission in order to boost their confidence. Jensen however does feel the pains of leadership as he tells a fellow officer “I’m just a man who has to send men off to die”.

The six saboteurs each have their unique specialties and views of morality. The first saboteur is Captain Mallory, the best mountain climber in the world and a competent linguist. Captain Mallory is a soldier who now has a utilitarian view of the world and no longer sees the world as black or white. The second saboteur is Major Roy Franklin who is known for his luck and determination. Roy is as focused to the mission as Mallory, only he does not appear to be so in the eyes of his friend Corporal Miller, the third saboteur. Corporal Miller is the self-righteous chemical explosives expert whose philanthropic perception of the world directs his loyalty only to his friends and himself. The fourth is Private Brown “the Butcher of Barcelona” whose specialties are working with engines and using a knife. Although Brown is a seasoned veteran with many kills under his belt, he has become wary of the war. The fifth saboteur is Colonel Stavros. Stavros, like Mallory and Franklin, focuses to the task at hand, but is also ever thoughtful of his personal vendettas. Finally, the last saboteur is Private Pappadimos, whom Jensen describes as a “born killer”.

The moral views of the six saboteurs will clash with each other several times during the movie as they debate about how to conduct a war and deal with human life. The moral perceptions even prove to be the undoing of some of the men. The beauty of the movie is that ultimately the ongoing theme of morality further extends to the two women who later join the mission. Even the Germans are not exempt from this theme as the “normal” German soldier’s character contrasts itself sharply from that of the inhumane SS officer.

It is not surprisingly to find that many world leaders enjoy watching The Guns of Navarone, since here is a film that touches upon an issue that is constantly ever-present in their minds. The burden of choosing the fates of others is after all, a burden that is felt by both the commander and the individual soldier alike.

The superbit version of The Guns of Navarone is an improvement over the first regular DVD release. The noticeable improvement is found mainly in the sound. A particular standout scene in terms of sound is where Stavros uses his sniper rifle to give cover against the advancing German Army. The superbit picture quality while an improvement over the regular DVD release, is not as noticeably good as the superbit sound quality.
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