I first saw “Amadeus” around 1984 when it was first released. Besides being a visual and musical masterpiece of film making, it kick-started my life-long adore of and appreciation for classical music.
I won’t show the memoir synopsis as it’s already been thoroughly described both by Amazon.com’s principal review and multiple customers here already.
I will say though that this edition, ‘The Directors Cut’, is a major improvement over the first DVD release. First, (and finally!!), the movie is now a single-side DVD…gone is the annoying 2 sided ‘flipper’ that the first release was. You can now ogle “Amadeus” from begin to do without having to regain up and turn it over. For my money, that’s reason enough alone to believe this fresh version.
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Secondly, ‘The Directors Cut’ now adds about 20-30 minutes of previously deleted scenes, placed attend into where they were originally intended. Personally I procure some of the newer stuff enhances the chronicle overall and fills in some details that were left vague in the modern theatrical release. I won’t give away any details, but there is a recent scene between Mozart’s wife, Constanza, and Salieri, Mozart’s chief musical rival (and secret arch-enemy) early in the movie that puts an whole fresh perspective of Salieri’s hooked and battered psyche.
As for the DVD itself, the characterize and sound quality are both exemplary. Included is a second disk with bonus material including interviews and making-of extras.
If you loved the recent, you owe it to yourself to capture up this version. If you’re current to classical music and Mozart, this is the best status to originate.
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lr** Jan 30,2003
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HIGHLY RECOMMENDED.
If you’re a fan of the unique theatrical reduce of “Amadeus” you’ll have mixed feelings about the “Director’s Sever”. While I perfer the latter for a number of reasons, the feeling and dart of the new theatrical version differs somewhat from the “Director’s Chop”. The most significant portion are extended scenes that include Salieri agreeing to serve Constanze if she has an affair with him. He ends up rejecting her when she shows that she so loves her husband that she would be willing to do so. A number of the opera scenes are extended as well with more business after the note between Mozart and his leading lady. There’s also a longer sequence though-provoking Salieri’s visit to Mozart comissioning the “Requiem”. Most of the material adds to the power of the film while a few sequences impartial give additional attend narrative on various characters. The unusual theatrical version which won an 8 Oscars runs about 25 minutes shorter than the 3 hour “Director’s Nick”. Forman also provide a inspiring commentary track for the film along with writer Peter Shaffer (”Equus”) .
The image quality for the “Director’s Lop” is genuine to the fresh theatrical version. The film was restored to its fresh luster for re-release resulting in considerable more natural flesh tones and a sharper visual image as well. The colors which play in distinguished piece in conveying the themes of each sequence are more robust and gleaming. The theatrical version looks quite helpful although it was first issued on DVD as a “flipper” (meaning you had to flip it over) DVD after roughly two hours to observe the last third of the movie. The tall advantage for the theatrical version is Neville Mariner’s find on an isolated track.
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The second disc of the “Director’s Prick” has one terrific extra, a brief talent list and the modern theatrical trailer. The pleasurable behind-the-scenes documentary covers the highlights and difficulties that Forman faced in translating Shaffer’s stage play to the shroud. At nearly 40 minutes it could have provided more background including outtakes, rehearsals and auditions but it’s quite a few documentary as it is. There was plenty of room on the second disc to include Mariner’s isolated salvage but the documentary is really all we regain.
As to which is better–it’s a toss up. Both versions of the film work extremely well although I seize the “Director’s Lop” for the added footage, the sharper more robust image quality and the higher definintion anamorphic transfer. I do miss the isolated Marriner rep of Mozart’s music that appeared on the fresh disc in 5.1. Given the capacity of the second disc, it could easily have been transferred and would have added value to this special edition.
A fable of envy, lust and enrage “Amadeus” focuses on the brief life of Wolfgang Amadeus Mozart. Mozart (Oscar nominee Tom Hulce giving a terrific performance) was a child prodigy who peaceful his first fragment at the age of 4 and produced a remarkably gargantuan body of work for such a brief life. His nemesis is court composer Antonio Salieri (Oscar winner F. Murray Abraham in a great performance) . This is really Salieri’s record as his jealousy drives him to slay Mozart. Salieri is so consumed with his jealousy, that while recognizing the beauty and originality of Mozart’s music, he can’t wait on but want to waste its creator. Salieri’s quaint compositions can’t fill a candle to Mozart’s complex, unusual and luminous pieces.
Featuring inspired supporting performances by Christine Ebersole, Jeffrey Jones, Simon Callow (”Three Weddings and a Funeral”), the only performer that doesn’t do anything for me is Elizabeth Berridge as Constanze. She replaced Meg Tilly impartial prior to shooting. The aesthetic production originate, cinematography and lively direction form “Amadeus: The Director’s Slit” an experience worth savoring. This deluxe edition features a running commentary by director Milos Forman, writer Peter Shaffer (”Equus”), a ample 30 tiny documentary on the making of the movie and a terrific 5.1 Dolby Digital remastered soundtrack. Restored from the modern film elements, the film hasn’t looked this robust and intelligent in quite some time. The digital anamorphic transfer looks honorable and almost rich enough to eat. This version doesn’t replace the novel theatrical version but is more of an enhanced experience for those who loved the first film. Since this version runs roughly three hours, be prepared for a long evening.
Highly recommended, this examination of the destructive power of jealousy collected resonates with power, passion and fabulous music. If you’re not an opera buff, I’d suggest skipping this for, while the film is worthy, share of the power comes from appreciating the music that Mozart wrote. We recognize a lot of excerpts from a variety of Mozart’s operas throughout the movie. Whichever version of the movie you decide, you’ll distinct to be gratified. I’d give the “Director’s Chop” a diminutive edge for better portray.
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